Cease To Be - A Short Sci-Fi Film
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‘More than your average British gangster film.’
Film and TV Now ‘A wilfully transgressive, sometimes disorienting thriller.’ The 730 Review ‘Close to comedy Gold… actually worth watching’ The Guardian ‘A decent Brit flick thriller.’ Any Good Films ‘Worth watching more than once.’ Dmovies I have had minor roles in several feature films:
In the King of Crime I feature as one of Mark Wingett's Henchman and in the 2017 comedy Finding Fatimah I appeared briefly alongside Bend It Like Beckham and EastEnders star Nina Wadia. |
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A Swan's Song: A legacy's Flight through Willen's Care - (2024) (Advert, 60 secs) Dir. Reece King, Exec. Producers: Helen Winter, Rachael White, DoP James Stormer, 1st AC Lewis Thorpe, VFX Supervisor John Hodgkins, VFX Lucy Paulings, Script Reece King & Helen Winter, Tim Dalgleish (Art Therapy Class attendee), Venessa Horton (Volice Over), G.Mitchell (Husband), Lesley Watson (Wife), Claire Burr (Visiting Nurse), Abi Oduyemi (Family member), Charlotte (Councillor), Alex Forni (Physio patient), Walter Greaves, Caz Tricks, Abigail Thorne, Louise Tuson (Patients) and Art Therapy Class attendees, King Productions Ltd.
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King of Crime (aka Milk and Honey) - Feature Film, September 2018 cinema release, Dir. Matt Gamell, Screenplay Linda Dunscombe, Prod. James Welling, Exec. Prod. Charlie Wood, Mark Wingett (Marcus King), Tim Dalgleish (Mr King's Heavy), Claire King ((Yvonne King), Rachel Bright (Jessica Slade), Nicholas Brendon (Brad Walsh), Vas Blackwood (Mr Mustaffa), Jonno Davies (Andrew King), Zed Josef (James King), Greg Tanner (Jimmy Tate), Hainsley Lloyd Bennett (Anthony Tully), Bryn Hodgen (George), Lisa Ronaghan (Kylie White), Francesa Louise White (Gemma Carter), Richard Summers-Calvert (Dexter), Mackenna Gyler (Zoe), Jack Loy (Mo), Benji Dotan (Lazy River Boy), Grant Kempster (Mr King snr.), Theresa Godly (News Anchor), Marc Ozall (The Watcher), Ricky Singh (Akbar), Claire Petzal (lauren), Dave Guyler (CIA Agent)Steve Richardson (Steve), Special Effects RJDM Studios, Warrior Film Productions.
‘Wingett and King are excellent in the lead roles… Director Matt Gambell holds the film together admirably and one does hope that he gets the same kind of chances that the likes of Guy Ritchie and Matthew Vaughn have…. Get Carter (1971) and The Long Good Friday (1980) are still the yardsticks [but]… new generations of film-makers… cannot resist a chance to move the genre forward… And now we have a brand-new modern gangster epic…KING OF CRIME … Traditional motifs of violence and scenes which evoke classic Tarantino… but there is sufficient style and substance to elevate it to more than your average British gangster film.’
Film and TV Now – John Higgins
‘Rachel Bright (Eastenders) steals focus with a solid performance as Jessica Slade… while Buffy’s Nicholas Brendan has an enjoyable cameo… From the very first scene, King of Crime has its foot on the pedal… Gambell – and screenwriter Linda Dunscombe – have sought to put a contemporary technological spin on the classic crime genre.The end result is a wilfully transgressive, sometimes disorienting thriller.’
The 730 Review – Louis Chilton
‘Close to comedy Gold… actually worth watching.’
The Guardian (they hated it!) – Leslie Felperin
‘One of those British films that has a raft of famous faces who don’t normally get big screen film roles… Emmerdale’s Claire King, The Bill’s Chris Ellison in a… cameo and… Vas Blackwood as the terrorist Mr Mustaffa… Directed by first time feature director Matt Gambell… it’s a decent debut for a film shot on a tight budget… with more moments that succeed than those which don’t…
a decent Brit flick thriller.’
Any Good Films - Simon Hooper
‘An entertaining British crime caper with more twists and turns than most television series… Marcus King has left old-school crime behind, swapping guns for computers (although he still keeps a few guns around)… a new competitor muscles in on his turf: Islamic terror… a strange meeting of minds for sure, but King of Crime makes it seem believable... Played with delightful camp by Vas Blackwood, [King’s] nemesis Mr. Mustaffa seems like he is cut from the same cloth… The resultant drama blends old-school thrills with high-tech skills… worth watching more than once.’
Dmovies
‘Wingett and King are excellent in the lead roles… Director Matt Gambell holds the film together admirably and one does hope that he gets the same kind of chances that the likes of Guy Ritchie and Matthew Vaughn have…. Get Carter (1971) and The Long Good Friday (1980) are still the yardsticks [but]… new generations of film-makers… cannot resist a chance to move the genre forward… And now we have a brand-new modern gangster epic…KING OF CRIME … Traditional motifs of violence and scenes which evoke classic Tarantino… but there is sufficient style and substance to elevate it to more than your average British gangster film.’
Film and TV Now – John Higgins
‘Rachel Bright (Eastenders) steals focus with a solid performance as Jessica Slade… while Buffy’s Nicholas Brendan has an enjoyable cameo… From the very first scene, King of Crime has its foot on the pedal… Gambell – and screenwriter Linda Dunscombe – have sought to put a contemporary technological spin on the classic crime genre.The end result is a wilfully transgressive, sometimes disorienting thriller.’
The 730 Review – Louis Chilton
‘Close to comedy Gold… actually worth watching.’
The Guardian (they hated it!) – Leslie Felperin
‘One of those British films that has a raft of famous faces who don’t normally get big screen film roles… Emmerdale’s Claire King, The Bill’s Chris Ellison in a… cameo and… Vas Blackwood as the terrorist Mr Mustaffa… Directed by first time feature director Matt Gambell… it’s a decent debut for a film shot on a tight budget… with more moments that succeed than those which don’t…
a decent Brit flick thriller.’
Any Good Films - Simon Hooper
‘An entertaining British crime caper with more twists and turns than most television series… Marcus King has left old-school crime behind, swapping guns for computers (although he still keeps a few guns around)… a new competitor muscles in on his turf: Islamic terror… a strange meeting of minds for sure, but King of Crime makes it seem believable... Played with delightful camp by Vas Blackwood, [King’s] nemesis Mr. Mustaffa seems like he is cut from the same cloth… The resultant drama blends old-school thrills with high-tech skills… worth watching more than once.’
Dmovies
Finding Fatimah - (2017) Feature Film, Dir. Oz Arshad, Prod. Sol Harris, Exec Prods. Arshad Ashraf & Aisha Hibna, 1st AD Zak Harney, Cinematography Phil Moreton, Music James Hesford, Editor Esther Gimenez, Assit. Editor Elliot Nelson, Casting Leoni Hibbey, Prod. Design, James Oliver, Art Direction Lauren Brown, Set Matt Domville, Declan Price, Costume Zainab Eldin PM Lucy Joan Barnes, Elaine Wong, Visual Effects Hassan Ali CAST: Nina Wadia (Khadija), Shobna Gulati (Saba), Danny Ashok (Shahid), Asmara Gabrielle (Fatimah), Ambreen Razia (Hafsah), Tim Dalgleish (Yameen), Mandeep Dillon (Nayna), Jason Kavan (Anis), Wahab Sheikh (Nav), Abdullah Afzal (Tawheed), Ewan MacIntosh (Lionel), Dave Spikey (Mr Gruff), Guz Khan (Rocky), Theresa Godly (Aailiyah), Denise Welch (Valerie), Imran Yusuf (Sid), Zoe Iqbal (Fiza), Paul G Raymond (Petrol Guy), Hassan Khan (Ali), King Kerim (Abz), Frances Eva Lea (Salma), Jill Greenacre (Jenny) Production British Muslim TV, Esplanade Vale Media & Icon Film Distribution.
FINDING FATIMAH is a tale of one man’s struggle to find love against the odds. All young Muslim Shahid (Danny Ashok) wants is to find a life partner but, after five years of trying, he is still struggling to find ‘The One’. The aspiring stand-up comedian is about to hit 30, and his printer business is grinding to a halt, but there's something else rendering him well and truly UN-dateable... he’s divorced.
And now his ‘divorced tag’ is all people see. Using an online match-making site, Shahid sees no option but to select ‘never married’ on his profile, and when he falls for the bold and beautiful Dr Fatimah (Asmara Gabrielle), he must decide when and how to break the news.
Funny and heart-warming, Finding Fatimah is a hilarious look at the modern British Muslim dating scene. It was released nationwide in UK cinemas.
Imagine - (2015) (Short) Director & Producer: Carl Mason, 1st AD Lewis Thompson, DoP: Jack Shelbourn, Editor: Luke Wheldon, Costume Designer: Helena Trebar, MUA: Isabella Larter, Camera Assistant: Simon Cade, Audio Mixer: Richard Thomas, Boom Op: Jonathan White, Unit Stills Photographer: Benjamin Ring, Production Assistant: Amy Lewis, Casting Jemma Goodridge. CAST: Tim Dalgleish (Doctor), ), Claire Whitlock (Mother), Dan Burman (Father), Maisy Nixon (Millie), Millie Price (Young Millie). A short film on the disease Niemann Pick Type C for the Charity Hope for Hollie. Premiered at Stadium: MK and featured on BBC's Look East. Carl Lewis Films. (Available in Spanish, French, German and Polish) Special mention at the Marbella International Film Festival 2016.
IMAGINE follows the story of Millie, a little girl who dreams of being a dancer, yet suffers from Niemann Pick Type C; an extremely rare, incurable disease which causes neurological decline and dementia. Only 800 people around the world suffer from this, the majority of whom are innocent children who were born with this horrible genetic condition. On the outside may seem like a normal, bubbly child; but on the inside a ticking time bomb never to see past teenage years.
Our story shows the devastating effects Niemann Pick Type C can have on a family. The parents seeing their child slowly fade away as each day passes, yet continuing to smile through the pain and care for their daughter. The fictional narrative of the story through the young girls eyes, showing the battle of childish innocence, blinded by the truth. She will live her young life, completely unaware. There is no cure. The film is inspired by close friend, Hollie Carter, who in 2007 was diagnosed with Niemann Pick Type C aged only 2 years old. Hollie is the motivation behind the Hope for Hollie Foundation, which is a grant giving charity working to make lifetime a reality to those fighting NP-C.
IMAGINE follows the story of Millie, a little girl who dreams of being a dancer, yet suffers from Niemann Pick Type C; an extremely rare, incurable disease which causes neurological decline and dementia. Only 800 people around the world suffer from this, the majority of whom are innocent children who were born with this horrible genetic condition. On the outside may seem like a normal, bubbly child; but on the inside a ticking time bomb never to see past teenage years.
Our story shows the devastating effects Niemann Pick Type C can have on a family. The parents seeing their child slowly fade away as each day passes, yet continuing to smile through the pain and care for their daughter. The fictional narrative of the story through the young girls eyes, showing the battle of childish innocence, blinded by the truth. She will live her young life, completely unaware. There is no cure. The film is inspired by close friend, Hollie Carter, who in 2007 was diagnosed with Niemann Pick Type C aged only 2 years old. Hollie is the motivation behind the Hope for Hollie Foundation, which is a grant giving charity working to make lifetime a reality to those fighting NP-C.
Genius - (2015) Feature film. Dir. Michael Grandage, Cinematography Ben Davis, Producers James Bierman, John Logan etc. Cast: Tim Dalgleish (Commuter - Background), Colin Firth (Max Perkins), Nicole Kidman (Aline Bernstein), Jude Law (Thomas Wolfe), Dominic West (Ernest Hemingway), Guy Pearce (F.Scott Fitzgerald), Laura Linney (Louise Sanders) etc. Desert Wolf Productions.
When, one day in 1929, the novelist Thomas Wolfe, decided to keep his appointment with Max Perkins, editor at Scribner's, he had no illusions: his manuscript would be turned down. But, to his amazement, his novel, "Look Homeward, Angel", was accepted for publication. The only trouble was that it was overlong. Although reluctant to see his poetic prose trimmed, Wolfe agreed and helped by Perkins, who had become a true friend, it instantly became a best seller. Success was even greater in 1935 when "Of Time end the River" appeared, but the fight for reducing Wolfe's logorrheic written expression had been even longer, with 5,000 pages, Perkins managed to cut 90,000 words from the book, and bitter ultimately taking its toll, the relationships between the two men gradually deteriorating. Wolfe did not feel grateful to Perkins any longer but had started...
When, one day in 1929, the novelist Thomas Wolfe, decided to keep his appointment with Max Perkins, editor at Scribner's, he had no illusions: his manuscript would be turned down. But, to his amazement, his novel, "Look Homeward, Angel", was accepted for publication. The only trouble was that it was overlong. Although reluctant to see his poetic prose trimmed, Wolfe agreed and helped by Perkins, who had become a true friend, it instantly became a best seller. Success was even greater in 1935 when "Of Time end the River" appeared, but the fight for reducing Wolfe's logorrheic written expression had been even longer, with 5,000 pages, Perkins managed to cut 90,000 words from the book, and bitter ultimately taking its toll, the relationships between the two men gradually deteriorating. Wolfe did not feel grateful to Perkins any longer but had started...
EVERY SINGLE P£NNY – (2015) (Short) Dir. Mark Jepson, Prod.Tom Dexter Cast: Tim Dalgleish (Boss), Andrew Davis (Mike), Tony Ffitch (Tony). Music Andy Glass, DP Georgre Glass, Edited and written Mark Jepson, Production: Emma Cooper, Samila Ahmed, Tochi David-Irukwu, Graham Hughes, Sound Daniel Tottey and Peter Elsmere, Exec Producers Andrew Davis and Rosemary Hill, 18 mins Short film for Concrete Cow Film Productions.
Between The Lines - (2015) Producer Becky Adams, Editor Kevin Stoney (Sole Studios), Workshop Leaders: Tim Dalgleish, Benji Dotan, 'Timetable' Director Stacey Swift, Camera: Ross McGowan, Jon Ball, Mark Kidsley, Music Jacob Stoney. Produced by Reelscape Community. A short educational documentary (funded by Northampton Borough Council & Northamptonshire Community Foundation) in connection with Holocaust Memorial Day with Year 10 Students of Abbeyfield School workshopping the film script of 'Timetable' written by James Vollmer. Reelscape Films.
Cease To Be – (2014) Dir. James Millar. Cast: Tim Dalgleish (David), Lisa Ronaghan (Hannah), Benji Dotan (Joseph), Helen Clifford (Kitty). 7 mins, part of the international 48 Hour Film Project for Giant Dwarf productions.
Strips and Strops - (2014) Dir. Benji Dotan, Cinematography Alex Daraklitsas, Cast: Tim Dalgleish (Art Teacher), Benji Dotan (Alan), Sarah Cox (Sophie), David John Bores (Artist), Ian Tuckley (Artist). Short film for Tickle Me Morbid Productions.
A Last Resort – (2014) Dir. Alex Daraklitsas. Cast: Marcus Churchill (Brian), Lyle Clark (Radio Host), Caroline Avis (Ella), Ashley Cook (Kyle), Theo Ramwell (Jordan), Steven Minns (Liam), Tim Dalgleish (Simon). 10 mins, student film
Beat - (2013) Dir. Tim Dalgleish 20 mins, a documentary on Allen Ginsberg, selected for the Flux Film Festival. As themselves: Tony Ffitch, Diane Dalgleish, Wendy Crane, Sami Leibowitz, Becky McPhee, Sarah Tudor, Tim Dalgleish (interviewer), .
Trolly Follies - (1992) Dir./Producer/Writer Max Libbert, Tim Dalgleish (Background), Julia Denholm (wife), Jeremy Cooper (Security Guard, Stephen Cross (lout), Rosemary Hill (Trina), Ewan Hutcheson (Bill), Alister Pearson (New Man), Andy Pearson (New Man 1), Ciaran Pearson (baby), Syd Pearson (Bill as old man), Paul Ransom (Sweet-eating boy), Joc Rose (old woman), Gay Wilkinson (tanned woman), Chris Sims (Checkout woman), short film premiered with Swords at Teatime (with David Thewliss) at UCI Cinema, Milton Keynes.
Trolly Follies - (1992) Dir./Producer/Writer Max Libbert, Tim Dalgleish (Background), Julia Denholm (wife), Jeremy Cooper (Security Guard, Stephen Cross (lout), Rosemary Hill (Trina), Ewan Hutcheson (Bill), Alister Pearson (New Man), Andy Pearson (New Man 1), Ciaran Pearson (baby), Syd Pearson (Bill as old man), Paul Ransom (Sweet-eating boy), Joc Rose (old woman), Gay Wilkinson (tanned woman), Chris Sims (Checkout woman), short film premiered with Swords at Teatime (with David Thewliss) at UCI Cinema, Milton Keynes.
Filmed Stage Plays etc.
Real Ale and Drama Shots #2 - (2013) Dir. Tim Dalgleish (filmed stage performance) 2 hrs 13 mins, Writers: Paul Nightingale, Sean Malvoney, Johanna Steele, Paul J. Guest, Geoff Barford, Ian Cowell, Grant Kempster, Simon Jay Actors: Sue Whyte, Chris Szuca,Tony Ffitch, Zara Rhonghi, Ian Cowell, Fiona Smith, Sarah Dalgleish, Sean Calvert, Danny Winch, Tasha Ellis,Tim Dalgleish Direction: Susan Lee Burton, Sally Luff, Caz Tricks, Ian Cowell, Sean Calvert, Shelly Wyn-de-Bank, Music: Steve and Danny Winch Additional Music: Russ Conway, Maria Callas, Ronnie Hazel Hurst, Lenka, Ennio Morricone, Misty Miller, Bobby Long, Camera: Luke Orchard, Sean Calvert, Chris Szuca, Sarah and Tim Dalgleish, Photography: Karen Kodish, Dalgo Films Steve Winch Live - (2013) Dir. Tim Dalgleish 56 mins The Band: Steve Winch, Steve Askew, Kristian Carter, Danny Winch, Dalgo Films If You Want To Know My Name - (2013) Dir. Tim Dalgleish (filmed stage performance) 45 mins, Writer: Yaw Asiyama, Caz Tricks (Ada), Yaw Asiyama (Henry), Music: Ryan O’Shaughnessy Bench Marks – (2013) Dir. Tim Dalgleish 43 mins, Actors: Amanda Booth, Tim Dalgleish, Sarah Dalgleish, Tash Ellis, Zara Ronghi, Fiona Smith, Tony Ffitch, Chris Szuca, Sue Whyte, Writers: Ian Cowell, Louise Roache, Alex Lynch, Tim Dalgleish, Tash Ellis, Zara Ronghi Music: The Miserable Rich, Direction: Sarah Dalgleish, Susan Lee Burton, Sally Luff, Caz Tricks, Dalgo Films Real Ale and Drama Shots - (2013) Dir. Tim Dalgleish (filmed stage performance) 1 hr 47 mins, Writers: Tim Dalgleish, Laura Henrikson, Ian Cowell, Alexander Lynch, Dan Phillips, Caz Tricks, Actors: Tim Dalgleish, Grant Kempster, Chris Szuca, Ian Cowell, Sorcha Rattigan, Christina Chesser, Zara Rhonghi, Erland Iversen, Emma Taylor, Helen Vallas, Tony Ffitch, Fiona Smith, Caz Tricks Direction: Sally Luff, Shelly Wyn-de-Bank, Sarah Dalgleish, Susan Lee Burton, Ian Cowell, Caz Tricks, Music: Steve Winch, Additional Music: Yann Tiersen, Slipknot, Mungo Jerry, The Clash, Sly and the Family Stone, Alan Hawkshaw, Dedicated to Richard Adams (RIP 1977-2-13), Dalgo Films Carabosse/Creed Street Promo(s) – (2013) Dir. Tim Dalgleish 91 secs and 6 mins (x2 versions) Actors: Grant Kempster, Chris Szuca, Tim Dalgeish, Ian Cowell, Caz Tricks, Tony Ffitch, Fiona Smith, Erland Iversen, Sorcha Rattigan, Emma Taylor, Helen Vallas, Christina Chesser, Zara Rhonghi Music: Alan Parker, Ennio Morricone, Carabosse Logo: Grant Kempster Macbeth – (2011) Dir. Tim Dalgleish (filmed stage performance) 2 hrs 43 mins Actors: Tim Dalgleish (Macbeth), Tracey Watchorn (Lady Macbeth), Salli Belsham, Christina Chessa, Ana Diego, Gemma Douthwaite,Bill Handley, Eric Iversen, Erland Iversen, Tony Ffitch, Tina forbes, Simon Jackson, Shirley Jones, Susan Lee Burton, Sami Leibowitz, Cieran Lonsdale, Leo Marchant, Sam Marsh, Rhodri Meredith, Anna Parker-Nalpas, Jessica Parker-Nalpas, Annette Probert, Zara Rhonghi, Richard Skellington, Bradley Smith, Fiona Smith, Joanna Steele, Adrian Stranik, Chris Szuka, George Tricks, Sue Whyte. Choreographer: Kele Baker, Voice: Michael Corbidge (RSC), Rehearsal aid: Sarah Dalgleish, Photography: Grant Kempster, Original Music: Stevie Martin and Mark de Costa, Music: Bobby Darin, Maria Teresa Vera, Directors of the Stage Play Sally Luff and Caz Tricks, Camera: Spike Lionheart Wyndebank, Dalgo Films Death and The Maiden - (2010) Dir. Tim Dalgleish (filmed stage performance) 1 hr 30 mins, Play by Ariel Dorfman, Actors: Paul Blackwell (Roberto), Caz Tricks, (Paulina), Tim Dalgleish (Gerardo) Direction: Jack Randle Music: Schubert, Additional Music: UB40 Marat/Sade - (2009) Dir. Tim Dalgleish (filmed stage performance) 1 hr 58 mins, Play by Peter Weiss, trans. Skelton & Mitchell, Actors: Tony Ffitch (Marat), Tim Dalgleish (Sade), Alexander Kent, Alice Peasgood, Caz Tricks, Andy Wyatt, Ant Chapman, Claire Smith, Dave Prince, Debbie Leonard, Ed Hall, Elaine Rogerson, Fran Leighton, Gordon Glass, Jeff Lay, Karen Jobson, Keith Raven, Kingsley Pilgrim, Leo Marchant, Lorna Scriven, Paul Nightingale, Richard Mizon, Robin Davies, Shane Kearns, Sharron Maddocks, Stephanie Legge-Davies, TC, Tammy Muller, Music: Richard Peaslee, Additional Music: Gerald Finzi, Fernandel, Caldasin Films & Dalgo Films Finding Daddy - (2009) Dir. Tim Dalgleish (filmed rehearsed reading) Writer: Louise Roache, Music: Jayne Taylor, Stage Director: Jack Randle, Actors: Emma Odell, Nico Lennon, Morgan Rhys, Abigail Lumb, Edward Clayton, Catherine Clayton, Victoria Jeffrey, Phil Pritchard, Johanna Hughes, Ingrid Evans, Musical Director: David Shouky, Guitar: Max Milligan, DVD Music Bob Dylan, Administrator: Abi Carr, Associate Director: Caz Tricks, Caldasin Films. Two Left Boots - Dir. Tim Dalgleish (2007) Dir. Tim Dalgleish 3 mins, Photos: Steve Raynor, Music: Bartenders Bible, Dalgo Films Happy Days - (2006) Dir. Tim Dalgleish (filmed stage performance) 1hr 30mins, Play by Samuel Beckett, Sue Whyte (Winnie), Richard Dunscombe (Willie) Stage Production:Natasha Ellis (Director), Rosemary Hill (Producer), Kevin Jenkins (Set Design), Kris Box (Lighting Design), Kevin Jenkins, Sally Belsham (Costume), Steve Hoy (Sound), Caldasin Films Krapp’s Last Tape - (2006) Dir. Tim Dalgleish 1hr, A film by Tim Dalgleish of Samuel Beckett’s Play, Tony Ffitch (Krapp), Caldasin Films & Dalgo films Krapp’s Last Tape - (2006) Dir. Tim Dalgleish (filmed stage performance) 50 mins, Play by Samuel Beckett, Stage Production: Carolyn D’eath (Director), Tony Ffitch (Krapp), Caldasin Films Viva La Causa aka The Aztec Eagle: How the United Farm Workers fought to be unionized - (2005) Dir. Tim Dalgleish 4.05 mins, Documentary, Caldasin Films The Company Kept - (2005) Dir. Tim Dalgleish (Editor/Actor) 15 mins, Tim Dalgleish (Professor), Charlie Sinclair (Matador), Paul Callaghan (Jack), Music: Nick Drake, Bob Dylan, Duke Ellington, Paul Callaghan (Story), Directors: Paul Callaghan, Charlie Sinclair, A Caldasin Production, a dirty shorts film, Caldasin Films Extras on The Company Kept: getting it right 3.16 mins, Edited: Paul Callaghan, Tim Dalgleish, Actors (uncredited): Paul Callaghan, Charlie Sinclair, Caldasin Films Trailer for ‘The Company Kept’ 27 secs, Actors (uncredited): Paul Callaghan, Tim Dalgleish, Charlie Sinclair, Edited: Paul Callaghan, Tim Dalgleish, Caldasin Films Animated Extra 2.28 mins, Presenter: Tim Dalgleish, Animation: Tim Dalgleish, Directed: Tim Dalgleish, Caldasin Films Audio Commentary: Paul Callaghan, Tim Dalgleish lazy boy (2005) Editor Tim Dalgleish 8.25 mins (black and white) Featuring : Charlie Sinclair, Tim Dalgleish, Natasha Mimms, Screen Play : Paul Callaghan, Story: Paul Callaghan, Tim Dalgleish, Charlie Sinclair, Special Thanks: The Mimms Family, Camera: Tim Dalgleish, Direction: Paul Callaghan, Edited by: Tim Dalgleish, Charlie Sinclair, Paul Callaghan, A Dirty Shorts Production Extras on lazy boy: Lazy Boy: a filmmaking journey 13.53 mins, Produced and Directed by Paul Callaghan, Charlie Sinclair, Tim Dalgleish, Fast Lane Videos ANATOMY OF A SCENE 3.07 mins, Produced and Directed by Paul Callaghan, Charlie Sinclair, Tim Dalgleish, Fast Lane Videos Biographies - Tim J.Dalgleish/Paul J.Callaghan/Charlie B.Sinclair Audio Commentaries - 2.51 mins , Tim Dalgleish, Paul Callaghan, Chalie Sinclair, Group commentary |
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